This text is presented in conjunction with the exhibition ‘Non-Player Character’ by Bob Bicknell-Knight at Klaipėda Cultural Communication Center. Interspersed through the text are sections of writing created by ChatGPT OpenAI. By Pita Arreola-Burns and Elliott Burns.

Until recently, the creation of a ‘map’ of online galleries seemed unnecessary and to a degree antithetical to the nature of the community that exists between these spaces. Akin to the peoples of Zomia — the disparate enclaves of culture that retreated into the highlands of South East Asia —…

An essay in four sections: the first on re-reading Book 3 of Ovid’s ‘Metamorphosis’ centering on an empathetic understanding of Narcissus; followed by a review of Roseland Krauss’s ‘Video: The Aesthetics of Narcissism’ that links to image entrapment to; the third section on social media usage and addiction; which is…

Adapting Roman architect Vitruvius’s three characteristics of good architecture, outlined in his treatise ‘De Architectura’ more than 2,000 years ago, the F.U.V. …

Adapting Roman architect Vitruvius’s three characteristics of good architecture, outlined in his treatise ‘De Architectura’ more than 2,000 years ago, the F.U.V. …

This text is intended as an accompanying aid to an installation and performance by Catinca Malaimare on the occasion of the RA Schools Show 2022, as an explanation it intentionally fails.

Adapting Roman architect Vitruvius’s three characteristics of good architecture, outlined in his treatise ‘De Architectura’ more than 2,000 years ago, the F.U.V. …

On two counts this is a departure from the writing usually published here. First, the subject matter is not in any way digital and second, it centres on two words of the exhibition text. Bad Manners[1] was an exhibition at Luxembourg + Co, a Saville Row based gallery, and was…

I’d like to begin by stepping back four years and making a comparison. Both aesthetically, in regard to the digital textures, and conceptually, in relation to the history of violence against black and brown bodies, Danielle Brathwaite-Shirley’s SHE KEEPS ME DAMN ALIVE at arebyte Gallery owes a debt to or…